Be polite to those who serve you.
It is an ugly thing to be rude to someone in the service industry (i.e., waiters, grocery baggers, etc.), and it says more about you than you may realize. People watch how you treat others and judge what kind of person you are based on your behavior.
If you…
Despite what most of you think, I’m not a grumbling curmudgeon who hates everything and sits at the side of life bitterly moaning into his pint. There are quite a few things that help me get up in the morning and stop me from drowning myself in the bath. In fact I’ve covered some of those things…
‘The Cult of Baltar’
Sung by Raya Yarbrough.
Composed by Bear McCreary/Glen A. Larson/Stu Phillips.
Haunting and intense.
![aedison:
The Importance of a Single Joke in Community’s “Basic Geneology”.
These two sentences sum up everything Community is. I’ve tried to break down everything this line accomplishes.
It grounds the reality of the show. Prior to this exchange, Chang and Pierce engaged in a fistfight after Pierce attempted to draw a windmill during a game of Pictionary and ended up obliviously scribbling a swastika on the board instead, offending Chang’s Jewish brother. There’s no denying that that’s a ridiculous scenario, and the fact that it ends with both Change and Pierce bloodied and beaten is absurd.
But our suspension of disbelief isn’t broken, in part because of the deadpan reaction of the policeman[1]. He’s seen this before - so much so that he has an opinion about how to prevent it from happening. When we as viewers see an authority figure treat the goings-on as realistic, we further invest in the show’s overall realism.
It illustrates that the show doesn’t indulge in easy caricatures. Typically, if you see an officer of the law in sitcom, he or she is either going to be dumb and incompetent or mean and unreasonable. In Community, we instead get a perfectly calm, logical cop accepts the problems he encounters and deals with them efficiently and kindly, even offering gentle -but clever- advice for the future. Although he’s in the episode for less than thirty seconds, this guy is already a fleshed-out human being. I know this dude.
It provides one of the biggest laughs of the episode, despite essentially repeating a joke we’ve already seen. The seed of the joke -the recontextualization of windmill as swastika- has, by now in the episode, already been planted, watered, and allowed to bloom into a flower. Most sitcoms would have had the fight be the endpoint of the joke, and any dealings with the aftermath quickly dealt with to allow the plot to progress.
In Community, though, the joke is allowed to live on past that endpoint, and the writers are clever enough to re-word the gag in a way that not only doesn’t bore us, but makes us laugh out loud. “One character misinterprets a windmill as a swastika” becomes “one character explains that windmills are commonly misinterpreted as swastikas” and it seems both entirely fresh and like a perfect button to the first iteration of the joke. That’s hard to do.
It gives us a glimpse of the larger world of the show, while not taking us out of the inner world we’re paying attention to. With this simple line, the writers convey that this classic comedy mis-understanding isn’t unique to Greendale Community College. The fact that the cop has an opinion at all illustrates, as mentioned above, that these kind of incidents happen often in the surrounding world. We learn that the rest of the Community universe is just as crazy as the college itself, that Greendale is the rule, not the exception.
The fact that this one line is so efficient, does so much heavy-lifting, is astounding. And it’s hardly an anomaly - most Community lines are crammed with levels of humor and insights into the world of the show. Community is often called one of the smartest shows on television, and it’s not just because the dialogue is fast-paced and pop-culture laden or the high-concept episodes are so striking and original. It’s because the people behind the show care so much about every single word that comes out of these characters’s mouths that they make each one of those words count.
Much credit, of course, should go to Craig Cackowski, who played the officer in question, and Ken Whittingham, who directed the episode. The standard sitcom reading of “…until Pictionary bans the word ‘windmill’” would be wacky and over-the-top, and these guys clearly made an active choice to go the other way. ↩](http://24.media.tumblr.com/tumblr_m4hdiyyqAu1qzpcyco1_1280.jpg)
The Importance of a Single Joke in Community’s “Basic Geneology”.
These two sentences sum up everything Community is. I’ve tried to break down everything this line accomplishes.
- It grounds the reality of the show. Prior to this exchange, Chang and Pierce engaged in a fistfight after Pierce attempted to draw a windmill during a game of Pictionary and ended up obliviously scribbling a swastika on the board instead, offending Chang’s Jewish brother. There’s no denying that that’s a ridiculous scenario, and the fact that it ends with both Change and Pierce bloodied and beaten is absurd.
But our suspension of disbelief isn’t broken, in part because of the deadpan reaction of the policeman[1]. He’s seen this before - so much so that he has an opinion about how to prevent it from happening. When we as viewers see an authority figure treat the goings-on as realistic, we further invest in the show’s overall realism.
It illustrates that the show doesn’t indulge in easy caricatures. Typically, if you see an officer of the law in sitcom, he or she is either going to be dumb and incompetent or mean and unreasonable. In Community, we instead get a perfectly calm, logical cop accepts the problems he encounters and deals with them efficiently and kindly, even offering gentle -but clever- advice for the future. Although he’s in the episode for less than thirty seconds, this guy is already a fleshed-out human being. I know this dude.
It provides one of the biggest laughs of the episode, despite essentially repeating a joke we’ve already seen. The seed of the joke -the recontextualization of windmill as swastika- has, by now in the episode, already been planted, watered, and allowed to bloom into a flower. Most sitcoms would have had the fight be the endpoint of the joke, and any dealings with the aftermath quickly dealt with to allow the plot to progress.
In Community, though, the joke is allowed to live on past that endpoint, and the writers are clever enough to re-word the gag in a way that not only doesn’t bore us, but makes us laugh out loud. “One character misinterprets a windmill as a swastika” becomes “one character explains that windmills are commonly misinterpreted as swastikas” and it seems both entirely fresh and like a perfect button to the first iteration of the joke. That’s hard to do.
- It gives us a glimpse of the larger world of the show, while not taking us out of the inner world we’re paying attention to. With this simple line, the writers convey that this classic comedy mis-understanding isn’t unique to Greendale Community College. The fact that the cop has an opinion at all illustrates, as mentioned above, that these kind of incidents happen often in the surrounding world. We learn that the rest of the Community universe is just as crazy as the college itself, that Greendale is the rule, not the exception.
The fact that this one line is so efficient, does so much heavy-lifting, is astounding. And it’s hardly an anomaly - most Community lines are crammed with levels of humor and insights into the world of the show. Community is often called one of the smartest shows on television, and it’s not just because the dialogue is fast-paced and pop-culture laden or the high-concept episodes are so striking and original. It’s because the people behind the show care so much about every single word that comes out of these characters’s mouths that they make each one of those words count.
Much credit, of course, should go to Craig Cackowski, who played the officer in question, and Ken Whittingham, who directed the episode. The standard sitcom reading of “…until Pictionary bans the word ‘windmill’” would be wacky and over-the-top, and these guys clearly made an active choice to go the other way. ↩
Back in its 1990s heyday, NBC latched on to its sitcom hits and ran with them. Friends and Seinfeld were like the golden children who could do no wrong. And yes, those were good shows. You know what’s also a good show? Community. So why does NBC continue to treat it like its red-headed stepchild? That red-headed stepchild is hilarious, sweet, and has tons and tons of friends! Well, as one of those friends (and a fake redhead), I want to discuss how Community became the Rodney Dangerfield of television.
Adama: Did i ever tell you about my summers with my uncle when i was a kid? Foxes would attack his henhouse all the time. Really pissed him off. He’d wake me up. We’d go with his hounds at night up into the hills looking for the fox. When the dogs smelled the scent, they’d go crazy. The pack would become a team. Forced the fox toward the river. So what would the foxes do?
Half would turn and fight. The other half would try to swim across.
But my uncle told me about a few that… they’d swim halfway out, turn with the current and ride it all the way out to sea. Fishermen would find them a mile offshore just swimming.
Tigh: Because they wanted to drown.
Adama: Maybe. Or maybe they were just tired.
(Source: mechanicalsix)
